Summer, 2005 Web Edition Poets in the pond.....
Words are things
I am haunted by the death in things, their heaviness, texture, inertia, the scrape of dirty dishes that shatters hearts, the muffled weeping of old shoes in the closet...
And words, too, are things, after the illusion, words that hide behind clothes and names, and bleed, suffer and are crucified in dictionaries.
And what if, after all, death itself is not eternal, but embodied in the lust of stones and the dust rolled beneath our fingernails, baptized in tears of hornets and all hope of resurrection swaying gently on a pile of shattered eyeglasses?
Merciless geometry!
Heartlessness in the depths of forms!
I think God is a poem like Auschwitz, aesthetic, unified, cold, the work death made free, His masterpiece, strung with sinews of barbed irony and the obscenity of gleaming prosthetics.
The wolf as original dreamer
The earth would burst incandescent they said, but I was prepared with an army of dreams and magic and each night a thousand stars descended from the ceiling like cobalt spiders to weave my bed of innocence.
The fall came when my father placed a book of Peter and the Wolf before the mirror. I could not stop watching the wolf, its lava eyes spilling rage and violation, its teeth swirling in a snarl of white death, its feet clawing for the earth to return.
Above, Peter clung to the tree branch faceless, like all sadists, tightening his noose over its tail to suspend it through eternity, and to make the torture exquisite, he made music from its misery.
Tonight, alone in bed, my wife dying, son grown and gone, the wolf leaps from a shadow in my dream, folds itself around me, shredded tail bleeding. I sing gently to it, sharing the hunger still hovering in the air.
An elderly Jewish man confronting Alzheimer's
I grow weary of numbers, tumbling to a shimmering dust.
There is no getting back except through forgetting. I have remembered too long and too much, now I long to breathe the darkness and touch the silence between drops of rain.
Sunlight dances on my eyelids, the moon escapes the net of faces, the universe folds like a sleeping flower, and all is altered by the sound of a fly spinning circles in a glass.
Let the mind return to rivers seeking arterial destinations. I will hide my face in the soonest wind.
Touch me, touch me, Rabbi Akiva... Show me the hiding place where no one is alone.
previously published in European Judaism
The escape artist
--for Gerard de Nerval
When fools ask in mocking breaths why he keeps a lobster on a leash, he whispers: "Because it never barks and knows the secrets of the deep."
He studies the blue, electric breeze tease the pregnant silk curtain, ocean breaths exiled from eternity, memory of orbits unspun.
He sees the darkness knit by match flames, deciphers hieroglyphs clawed in the walls. Heat lightning illuminates starry knives that touch passion to the bone of love.
Is someone knocking at the door? Descending branches long for him, but a ceiling beam's faith is certain. A centipede blows across the floor.
Perfect magician, musician of love, he casts himself to the nearing stars. He bequeaths us a final geometry, a broken tower that crucifies the sky.
Nerval's silhouette rocks an endless arc, dares what gravity might redeem, conspiracy of moon and shadow, deeper in darkness than crickets dream.
Although his last words died alone and his misery bred mockery from chance, around and around his mute, broken bones the leaves spin in xylophones of dance.
Sean Lause teaches English, Speech and a course in the Holocaust at Rhodes State College in Lima, Ohio. His work has appeared in The Mid-American Review, The Minnesota Review, Poetry International and The Mother Earth International, among others.
Out of Brilliant Sky and Nowhere
(for my great-aunt, Ahmie)
Her bedtime stories kept me up late, stories she let me dictate almost to myself, laughing too hard
for nearly nine o’clock. Someone’s going to end up crying, she said, but still told about one bald man
in a crowd of people at the Fourth of July parade: a great flock of birds appeared out of brilliant sky and nowhere to fly over everyone and guess what they did right on top of his head? And even President Eisenhower
has no hair. So, one day he opened the window of the White House in Washington, DC and along came that same flock of birds...
You’ll be tired in the morning, Ahmie said when I shrieked and my mother called upstairs. She gave me three golden butterscotch candies in stiff, loud cellophane. She gave my sister only two
because I was the older one, like her. Don’t tell, she said, don’t tell. You’ll take care of me when I get old, but she was old already, skinny neck in a pale summer dress, pocketbook made of real seahorses and transparent plastic
that held Kleenex, ball point pens, and stubs of lipstick, stale as spit. When she forgot everything she knew except “The Tennessee Waltz” by ear on piano, she had to go to The Home, where she’d once worked as secretary,
and I did not take care of her. At night, the wind says woo, woo, she said, lost in the Solarium’s giant bamboo couch, eyes following something gone. She took my hand. How cool, how cool was the glass
on top of her dresser those dank August afternoons when I still stretched tall to reach her perfume bottles, and watched them reflect amber in her mirror, with thunder starting up like an old car somewhere down the darkening street.
A Prayer for the Whole State of Christ's Church
Just before snow, roads bleach. Trees are empty veins and grass the color of weak coffee and milk. Just before late afternoon sifts the ice from its breath, before wind awakens the complications of my heart, I pray
for the silent composure of snowfall, for its blessing even into the night when orange plows scrape the streets and beam warning lights through our windows, onto our walls. I pray that snow fold cool fingers over the fever and disorder of our houses and our lives. Lord, hear me.
I am not angry. I am one of a multitude, and when we think of it, we help each other. It has just begun to snow, and the flakes disappear in the dusky sky. Everyone knows what is about to happen, the perfection and danger of this storm, the hopes we whisper to each other as our hands part and we start our cars in the dull twilight with its scent of wood fires and frost.
We drive off in darkness, radios buzzing with predictions, but there is something else to hear-- a hiss, almost inaudible, as snow touches the ground, and piles up, steady as forgiveness. And somewhere a window closes with a sigh like a prayer spoken inwardly, a prayer for the whole state of Christ's Church.
These poems will appear in Christine Potter’s book, Zero Degrees At First Light (Word Tech Press, David Robert Books Series), scheduled for publication in Fall 2006.
Christine Potter, head moderator at The Alsop Review's Gazebo, is a happily retired English/Creative Writing teacher who has also worked as a cook, and rung changes and hymn tunes on two tons of tower bells at a wonderful old Episcopal church in the East Bronx. She lives in suburban New York with her husband, Ken, and her two self-possessed cats, Desmond and Molly Jones. Her work has appeared in Stirring, Snakeskin, Gumball Poetry, The Pedestal Magazine, and Full Circle Magazine, among others.
Laguna Street
A back dated copy of US News Stained by roasted garlic flavored Extra virgin olive oil, The neighbors have moved away, In this silence, I miss their children’s noise I resent the refrigerator rumbling so.
On Laguna Street the cars come and go, Geese squawk by On their way to Ellis Lake, Branches are pencil drawings against a gray sky, Works of art that never sold.
Autumn leaves seasoned by winter rain Are sequestered in the patio, A pair of bicycles with flat tires Is chained to a tree trunk.
We live outdoors in almond groves, Row after row in camping huts, And plan to walk through tulip meadows, Mind numb with color, Counting tulips to go to sleep.
Is there a lesson in this to learn? Write me a five hundred-word story, Call it ‘ The clouds will go, there will be sun’.
The consuming angel
My angel is shaped from clouds, a purl of dove-feathers, the maidenhead of snow and sugar crystals, but at the core, an engine
turns and churns and steams to propel his huge benevolence. White and winged he trundles down the pavements and into shops,
secreting sides of salmon, brie, sheep's heads, beneath his robes between blessings. A nun genuflects in his shadow. He turns and smiles
and O the sun spins from the horizon, gibbous glory blazes out upon the crowd, the high street is transfigured. Shoppers weep
into their pockets as he passes by, trailing tailstream prayers and sweetness like the kiss of an old contagion. Previously appeared in Mindfire Renewed
Afters
Unpeel me slowly, like the fruit you placed on a white plate ready to accompany the wine or the cake, frilly-papered, that you eyed while you ate your salad and brown bread.
The apricot warms, ripening, the cake crumbles in its case, sugar crystallising and re-melting. Taste me slowly. Let me melt into the granules of your tongue like icecream on shingle.
Make me zing like lemonade after strawberries, like sherbet on a rod of liquorice. Make me flesh and sponge, sweet and sour, savoured, swallowed, assimilated. Make me muscle. Previously appeared in Snakeskin
Last Orders -The Movie
I'm ordering a Hollywood decline. The symptoms are ideal: not being sick, the application of a pale lip slick, some floaty scarves, a duty to recline against silk pillows being brave, while friends and family troop in with gifts and flowers and wet-eyed memories of golden hours-- stock shots of surf and seabirds when it ends.
Spare me the vulgar things, like diarrhoea, depression, pain; they're for the hoi polloi. A dying will seems such a good idea: I want a starry close, so please employ soft focus, and cue choirs' Ave Maria, then fade me out with Ludwig's Ode to Joy.
Previously appeared in Crescent Moon Journal
M.A. Griffiths was born and grew up in London, but now lives in Dorset (Hardy's Wessex). She enjoys writing both free and formal verse, and participating in online poetry boards. Her work has appeared in Snakeskin, Crescent Moon Journal, The Eleventh Muse, Mind Mutations, and Mindfire Renewed, amongst others.
Sharon Rothenfluch Cooper
Sleight-Of-Hand
Orange-peel colors slash a tattered moon, streak wisps of fog, soon spied when scarecrows rise to heckle witches in flight.
My wizard's wand pushes the tangerine globe back in its orbit before it tumbles on my men-of-straw, disturbs sorcerers in their travels, then rolls down the road leaving a trail of pumpkin seeds reflected in its wake.
I fall spellbound each season when oblique rays poke peek-holes in the mist. The eerie glow turns heaven's arch into an ocean of teal, then fades to indigo.
Previously published in MiPo, Wicked Alice, and Perigee Publication for the Arts, 2003
Sharon, an astrological Leo, is very much a today's woman and thrives on poetry and music. Her work has appeared in many internet journals and magazines worldwide and she's had several chapbooks published online.
Test
I took the test. In fact, I took 5 From 5 different brands With 5 different color lines That disappear or reappear Or break in half or Something along those lines If you are. I turned them upside down Sideways In the dark In a black light With a strobe light In natural light In all cases, I am. But when I look down and consider The life breathing within me Through me For me 5 is a good number.
Jessica Fuller is a senior English Writing major at Oklahoma Christian University. She is engaged and can't wait to get married after graduating next spring. "Test" is her first published poem outside of school-run literary publications.
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